Tag: Ethan (Page 1 of 5)

Thoughts on Marketing from Inside Local Television Stations

September 23, 2011 / Ethan Beute

I just ended a 14 year run in local television marketing and promotion that took me from Grand Rapids to Chicago back to Grand Rapids to Colorado Springs. My short description of the work: running an in-house agency to build brands, drive viewership, and increase our overall standing with all stakeholders. So, my side was the business-to-consumer marketing that results in business-to-business selling of audiences (basic content around advertising model).

I’ve greatly enjoyed the first decade and a half of my career. I’ve worked for some great companies and done excellent work with wonderful people.

Here are some thoughts and observations from my experience in the local media industry. They’re focused primarily on traditional television broadcasting, rather than multi-platform content distribution and marketing.

These thoughts and observations are simplified and bullet-pointed. I’m happy to elaborate upon or talk through any of this in more detail. Use the Connect with Ethan page to find me – or just leave a comment on this post.

TV set, television set, t.v., tee vee, boob toob, boob tube

What a TV looked like when my career began. (Image from Photobucket user alex54j )

Working in Local TV Marketing and Promotion is Fun

It’s a nice combination of creativity and strategy.
You get to work extensively with words and ideas.
You get to create and manipulate images, both still and moving.
You get to work with music, sound effects, and natural/ambient sound.
Promos are always more exciting than the news packages – you get to pack all the best video and sound into :30!

The Work Itself is There, Then Gone

This is a basic function of linear broadcasting.
The display of your work is immediately fleeting and the work itself is highly perishable.
You get plenty of immediate gratification; what you just made can be put on TV within minutes.

Marketing to Anonymous Masses Provides Limited Satisfaction

The ability to track and measure, to connect directly efforts to results, is weak. Research budgets are limited. Nielsen’s measurements of viewing behavior are (insert adjective with negative connotation here).
In short, it’s more art than science.
Very few people like advertising. It’s an interruption of what they’ve come to see or experience.
Nearly everyone wants and expects content and marketing to be increasingly personalized and customized (rightfully).
Television broadcasting is linear and monolithic, not personalized or customized.
It’s impossible to be consistently relevant, and therefore satisfying, to a mass of people.
That’s because they’re not a monolith; they are individuals who happen to be consuming the same media at the same time.
Tools like Facebook have taken phone call and email feedback to a new level that approaches direct relationships. Even those individuals, though, tend to be treated as a mass.

Local News is Very Static and Homogenous

Every station has pretty much the same stories as one another and the same kinds of stories every night.
Every newscast provides pretty much the same experience it did a decade ago … but shinier. It’s predictable.
Locally, this is in part due to stations all watching each other.
Nationally, this is in part due to all stations being consulted by the same handful of consultants.
Overall, this is because “news” is defined rigidly by the journalistic institution.
This is why ubiquitous, generic “area man” headlines from The Onion, America’s Finest News Source, work so well.
This is why we all immediately recognize the visual and verbal patterns in the videos that close this post.
The formula from which newscasts are made seems to work well enough that there’s no compelling reason to make anything more than minor tweaks and conservative decisions. Related: newspapers have only just found their savior and his ideas don’t seem especially radical.

Financially, Local TV Broadcasting is Challenged

As with most businesses, costs are constantly increasing.
This effect is mitigated slightly by technology and automation. The hubbing of core operations, for example, is a fundamental operating strategy for Lin Media (22 broadcast signals originating from just 2 master control centers; 100% of traffic operations run from just 1 location (see 2010 annual report, page 4).
Revenue is flat/declining and dominated by TV revenue. Though it varies by station and company, I’d guess that 90-95% of revenue is still generated by television ad sales.
Profit margins, naturally, are tighter than ever. A broadcast license was once a license to print money; stations enjoyed profit margins above 50%. Though it varies by station and company, I’d guess that they’re more in the 15-20% range in a good year.
For a stronger future, some local news operations will have to be shut down (see above – Static and Homogenous). This is a natural result of competition.
As fragmented as the media landscape is (that fragmentation fundamentally threatening the TV business), television is still the only place to find mass. This is why network prime time shows command higher ad rates, despite smaller audiences.
Among the younger set, it’s cool to hate TV and its advertising. However, Apple loves it! Go figure.
Television still enjoys an amazing windfall from political advertising.

Local Television Advertising’s Effective, But …

Is it cost effective? By migrating dollars into other channels, the large-scale, sophisticated television advertisers say no.
I just finished Joseph Jaffe’s Life after the 30 Second Spot, published in 2005. At the time, DVRs were the threat to effectiveness. Forms of digital capture and distribution have increased dramatically in the past 6 years.
Digital pureplay companies offer relatively inexpensive marketing and advertising options … and they’re 100% trackable.
With inexpensive tools to create and publish yourself, “every company is a media company.” There’s less need to pay for exposure.
Some traditional TV advertisers have flipped the situation upside down, selling advertising themselves.

Local Television Stations Are Important

Local television stations have incredibly strong brands. They’re local instituions.
They inform, prepare, and connect people; they provide a sense of local identity and community.
People take your calls when you tell them you’re calling from a local TV station.
The role and responsibility of the best local news and weather teams will continue to be important, no matter how distribution changes. The challenge there is to stay relevant day-to-day, rather than simply being a go-to place in times of crisis.
High definition television signals are free for the taking – and they’re the cleanest form of television signal.

In Summary

I’m grateful for all the opportunities this industry has presented me and the dozens of excellent humans who helped me along the way. I hope for the best for the individuals who make the industry.

As you might expect, I’ve got many more thoughts, feelings, and ideas. I’m happy to have a threaded comment conversation, a real conversation, or an email exchange about any of this.

My Local Television Employers

Tribune Broadcasting: WXMI FOX 17 in Grand Rapids, Michigan
Weigel Broadcasting: WCIU and WFBT in Chicago, Illinois | WMWB and WBND in South Bend, Indiana (WFBT is now WWME, WMWB and WBND were sold)
Lin Media: WOOD TV8, WOTV 4, and WXSP in Grand Rapids, Michigan
Cordillera Communications: KOAA 5 in Colorado Springs, Colorado

Related Posts at ethanbeute.com

Upside Down: Traditional Advertising Relationships

Good News: You Get to Decide What’s News!

Broadcast Television: In Praise of a Relic

Our Nation’s Common Medium: Why Just One?

Bonus Videos
Both employ coarse language. The first is more slowly paced. The second is more direct and more coarse. Both employ the immediately recognizable patterns to which I referred earlier in this post.

Broadcast Television: In Praise of a Relic

September 3, 2010 / Ethan Beute

The latest incarnation of Apple TV has again fired up the “cut the cord” talk – killing off your obscenely-priced cable or satellite subscription. The stranglehold is broken. Cutting the cord is absolutely a trend.

Apple TV, for example, has now joined more than 100 other devices that support Netflix streaming, which allows unending access to a huge library of programming direct to your television.

Wired just issued a complete guide, fronted by Joel McHale (from NBC’s Community and E’s The Soup), about how to watch all the best stuff without cable or satellite. Here’s another how-to-live-without-cable-or-satellite from Salon.com (not as fun as McHale’s). A Google search produces at least a dozen more.

What you want, when you want it, as often as you want it – it’s easier than ever and doesn’t require a $100 cable bill. Just a little bit of new hardware, a high-speed internet connection, maybe some new software, some non-cable and non-satellite programming subscriptions …

Just don’t tell me it’s about saving money.

Broadcast tower television digital signal high definition

Go old school: harness high definition television in its cleanest form with a $10 antenna or even a paperclip - compliments of your local broadcaster.

High definition television in its cleanest, purest form is always available to you at no cost. The signal gets no better than straight out of the air. No expensive hardware to purchase (because you already own that 42″ HDTV). No cable, no satellite, no high speed internet, no Hulu, no Netflix … no subscription required of any kind.

Digital broadcast signals are in the air and all you need to harness them is a $10 antenna (though a large paperclip will often suffice). Again, high definition television in its cleanest, purest form can be brought into your home at no cost.

Yes, you’re limited in programming. In most areas, though, you’ll get a dozen channels or more between primary and sub-channels, from such content providers as PBS, NBC, CBS, ABC, FOX, Univision, Telemundo and others.

Yes, you’re giving up some precious control, subjecting yourself to a linear broadcast with incessant commercial interruptions.

Yes, it’s ludicrous to imagine cutting a high-speed internet subscription.

Yes, you may want to augment your options with a sub-$10 Netflix subscription.

But … over-the-air television is absolutely free. Right now. All the time. And it’s nearly 100% stupid-proof … just plug it in and turn it on. It’s the true essence of passive entertainment.

If your mobile device was equipped with a DTV tuner, you could have it all available wherever you go – without paying for mobile internet access.

I know this sounds like the ramblings of your grandfather, but the point remains: if your argument and motivation for “cutting the cord” is financial, you must celebrate the role your local broadcaster plays in entertaining and informing you.

High definition television in a linear form is a relic. And it’s absolutely free.

Toyota: Lost in the Wilderness?

July 9, 2010 / Ethan Beute

What a great ad. What a great message. What a great brand.

I loved where Toyota was with this:

The automotive branding textbook example is “Volvo = Safety.”

A runner up: “Toyota = Reliability.”

Once the darling of the automotive world for its efficient production, fantastic sales and extreme reliability, however, Toyota‘s taken quite a hit over the past year.

3.8 million cars. 8,000 trucks. 600,000 minivans. 270,000 luxury vehicles just last week. That’s a lot of recalls (and that little recall rundown’s far from complete!).

Reliability ratings have fallen, too.

Result: a hard tack away from reliability toward …

Wow! That’s a ton of “safety.” A quick count has them at seven mentions per :30 spot – nearly one time every four seconds!

On the upside: message is loud and clear, yet casual and clean. Also, safety is not wholly separate from reliability; I consider the two concepts quite compatible. It’s also timely and topical, if not a little bold given the state of all things Toyota.

On the downside: if you’re a Toyota owner (which I’ve never been), you may not buy the message – especially if the recalls have been particularly inconvenient. This “safety” onslaught (I’ve seen several full-page print ads to match these spots) is not even fresh on the heels of the safety and reliability problems – it’s amid them. I feel strongly, though, that something often enough repeated comes to be believed (for better and for worse).

I feel like this direction could really work … but they’re already giving up on it.

“They’re Already Giving Up” Exhibit A:

In short: “smart, young go-getter gets a helping hand from a good corporate citizen.” Two notes: “Erica” does say the word “reliable” and it’s the same voice as the safety campaign.

The “safety” sell, though, seems to have expired. They must have research that suggests their problems with perceived safety and reliability are over – or that those perception/imaging problems were never too deep.

If not, I’m considering Toyota lost in the wilderness.

Disclaimer: Toyota is obviously a highly sophisticated marketer. My observations are based strictly in mainstream television and magazine messages. I expect fully that they’ve got many targeted, niche campaigns striking exactly where needed that are beyond my view.

Pikes Peak: Gleeful Ignorance vs Mental Challenge

June 19, 2010 / Ethan Beute

Tomorrow, I’ll day-hike Barr Trail to the summit of Pikes Peak and back down for the second time. This hike, however, already feels different.

My first ascent was undertaken in gleeful ignorance just three weeks after moving to Colorado Springs.

Sure, I knew I’d be hiking about 25 or 26 miles round trip to the top of “America’s Mountain,” the inspiration for the writing of “America the Beautiful.”
Yeah, I knew it would require most of my waking hours that day.
Absolutely, I was up for a walk up through three distinct ecological life zones (Montane, Spruce-fir and alpine).

It wasn’t until I hiked up alongside of JJ, a 20-something from Denver who’s in the Colorado Mountain Club, about 5 miles up that I really understood the accomplishment of day-hiking it. The young man filled me in.

Pikes Peak, Barr Trail, 14er, mountain, summit, hike, peak, Colorado, Colorado Springs, Manitou Springs

First summit hike of Pikes Peak by Barr Trail, September 2006

Pikes Peak by Barr Trail is marathon-length, the longest approach of any of Colorado’s famed 14ers (+14,000 peaks). It also has the greatest elevation gain of any approach; from the trailhead in Manitou Springs to the summit, you climb approximately 7,500 vertical feet.

Among more than 50 qualifying Colorado peaks, Pikes ranks 30th at 14,110ft above sea level. So, it’s not even close to being the highest.

It’s also not the most technical. In fact, it’s probably the least technical. Barr Trail is a Class 1 walk-up, about as simple a summit hike as you’ll find.

It’s also insanely civilized. To call Barr Trail heavily used is a gross understatement, even by 14er standards. There’s Barr Camp halfway up, where many hikers spend the night, purchase t-shirts, eat a pancake breakfast or pick up a bottled drink. The summit itself is a tourist’s delight, designed to satisfy all those who drive up the Pikes Peak Highway or ride up the Pikes Peak Cog Railway. In addition to a huge gift shop, replete with the requisite “Got Oxygen” t-shirts, summit house offers a snack bar and fresh donut stand. Note: in addition to hiking it, I’ve been up by (rental) car and by cog railway.

So, what’s the difference between my initial go at it and what I’m preparing for tomorrow? I don’t keep a list, but I’d guess I’ve climbed a couple dozen mountains since my day-hike of Pikes Peak. So what’s the big deal?

I’ll call it the mental aspect of endurance. It’s a little more in my head now. I’m thinking too much about it. It’s shaping up as more of a mental challenge than a physical one.

It’s going to be a long day – probably 12 or 13 hours of hiking. I’m going to start before sunrise. I’m certain to have blisters by the end of the day (even though I plan to switch between shoes and boots near treeline).

I’m not going up the much shorter Crags route on the west side of the mountain. I’m not splitting the hike in half with by staying overnight at Barr Camp. I’m not hiking up, then catching a ride back down in a car or on the train.

Instead, I’m heading up as fast as I can, buying a Gatorade in the summit house, seeing how full the parking lot is, then hauling all the way back down and out (the hike down’s different, but it isn’t easy). I’m already wondering how tired and sore I might be as I head in to work on Monday morning.

To feel a little more prepared, I put on my boots and a full pack and did The Incline this morning. And to think … last time, I simply decided on a Thursday afternoon that Saturday’s weather looked good, so I should head up that mountain in my back yard.

All kinds of Pikes Peak photos from my Flickr photo stream are here.

From Anonymous Appreciation to Personal Invitation

June 14, 2010 / Ethan Beute

A quick follow up to the last post about a vibrant painting by a local artist hanging at the Pioneers Museum in downtown Colorado Springs.

I brought the post to the attention of the artist, Tracy Felix. We had a short email exchange in which he shared a few additional images and gave me insight into his creative and production processes.

In some cases he works from his own photographs, as well as postcards and photos from others. In other cases he works strictly from imagination, informed by decades of hiking, skiing and exploring our area.

Here is an example of the former, a new painting from a recent trip to Durango:

Grenadier, range, mountains, Colorado, Molas Lake, Durango, Ouray, peaks, lake, nature, painting, fine art, Tracy Felix, Denver

The Grenadier Range from Molas Lake by Tracy Felix

Here’s an example of the latter, an imagined scene generated from the general idea or concept of “northern New Mexico”:

img class=”size-large wp-image-605″ title=”Along the Rio Grande” src=”https://ethanbeute.com/wp-content/uploads/2010/06/Along-the-Rio-Grande_-Tracy-Felix-748×1024.jpg” alt=”Rio Grande, Colorado, New Mexico, fine art, painting, Tracy Felix, Denver, art, artist” width=”534″ height=”725″ />

Along the Rio Grande by Tracy Felix

The point of this post: rather than simply enjoying a painting at a local treasure of a museum, I decided to shoot a couple photos and write a brief piece about it. From that limited initiative, I received more insight into the person and the process behind the images, images of three additional paintings not in the online gallery, information about a current showing of work by him and his wife, Sushe, and a standing, informal invitation to the Felix’s home and studio. I think that’s wonderful.

Here’s the third image I received; it’s inspired by the La Plata mountains in the San Juan range near Durango:

La Platas, La Plata mountains, Colorado, painting, Durango, art, fine art, artist, Tracy Felix, Denver

La Platas by Tracy Felix

Here’s a Denver Post feature from July 2008 about Tracy and Sushe Felix.

Local History, Local Artist and Landscape Art

May 28, 2010 / Ethan Beute

Three things I truly enjoy intersect just 2 miles from our home: local history, a local artist and landscape art.

Physically, they intersect at Tejon and Vermijo in downtown Colorado Springs.

The Pioneers Museum is dedicated to local history, including the settlement and development of the Colorado Springs area. Its home is the former El Paso County Courthouse; one of the exhibits is a fully restored courtroom. It used to be open from 10am-5pm every day of the week, but the city budget is an absolute wreck. It’s always free to the public and absolutely worth a visit by locals and visitors alike.

The Pioneers Museum, downtown Colorado Springs, Colorado, history museum, local history

The Pioneers Museum in downtown Colorado Springs is housed in the former El Paso County Courthouse

One of my favorite exhibits is “Looming Large: The Artistic Legacy of Pikes Peak,” which was developed during the 2006 bicentennial of Zebulon Montgomery Pike’s expedition up the southwestern slopes of America’s Mountain. It’s a room filled with various artistic renderings of the mountain that now bears Pike’s name. One painting truly stands out from the rest and earns prominent placement.

Pioneers Museum, entrance to Looming Large exhibit

Entrance to the Looming Large exhibit at the Pioneers Museum

The oil painting is “Pikes Peak 2004” by Tracy Felix, who grew up and worked as an artist in Colorado Springs. Within the past few years, he and his wife, artist Sushe Felix, moved to Denver.

Pikes Peak 2004 by Tracy Felix

Perhaps for my love of mountains, wilderness and trails, I’ve always favored landscape photography and landscape painting over most other artistic forms. Fold in the fact that the artist is local and the subject is Colorado mountains and I’m all in.

The style here is obviously bright, playful and inviting. Though this treatment of Pikes Peak is relatively straightforward, much of his other work is a bit more abstract.

His work hangs at the Denver Art Museum, the Colorado Springs Fine Arts Center and the Sangre de Cristo Arts & Conference Center in Pueblo, among other places.

Here’s a sampling of Felix’s treatment of other Colorado landmarks.