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Category: Culture (Page 10 of 12)

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Pikes Peak: Gleeful Ignorance vs Mental Challenge

Tomorrow, I’ll day-hike Barr Trail to the summit of Pikes Peak and back down for the second time.  This hike, however, already feels different.

My first ascent was undertaken in gleeful ignorance just three weeks after moving to Colorado Springs.

  • Sure, I knew I’d be hiking about 25 or 26 miles round trip to the top of “America’s Mountain,” the inspiration for the writing of “America the Beautiful.”
  • Yeah, I knew it would require most of my waking hours that day.
  • Absolutely, I was up for a walk up through three distinct ecological life zones (Montane, Spruce-fir and alpine).

It wasn’t until I hiked up alongside of JJ, a 20-something from Denver who’s in the Colorado Mountain Club, about 5 miles up that I really understood the accomplishment of day-hiking it.  The young man filled me in.

Pikes Peak, Barr Trail, 14er, mountain, summit, hike, peak, Colorado, Colorado Springs, Manitou Springs

First summit hike of Pikes Peak by Barr Trail, September 2006

Pikes Peak by Barr Trail is marathon-length, the longest approach of any of Colorado’s famed 14ers (+14,000 peaks).  It also has the greatest elevation gain of any approach; from the trailhead in Manitou Springs to the summit, you climb approximately 7,500 vertical feet.

Among more than 50 qualifying Colorado peaks, Pikes ranks 30th at 14,110ft above sea level.  So, it’s not even close to being the highest.

It’s also not the most technical.  In fact, it’s probably the least technical.  Barr Trail is a Class 1 walk-up, about as simple a summit hike as you’ll find.

It’s also insanely civilized.  To call Barr Trail heavily used is a gross understatement, even by 14er standards.  There’s Barr Camp halfway up, where many hikers spend the night, purchase t-shirts, eat a pancake breakfast or pick up a bottled drink.  The summit itself is a tourist’s delight, designed to satisfy all those who drive up the Pikes Peak Highway or ride up the Pikes Peak Cog Railway.  In addition to a huge gift shop, replete with the requisite “Got Oxygen” t-shirts, summit house offers a snack bar and fresh donut stand.  Note: in addition to hiking it, I’ve been up by (rental) car and by cog railway.

So, what’s the difference between my initial go at it and what I’m preparing for tomorrow?  I don’t keep a list, but I’d guess I’ve climbed a couple dozen mountains since my day-hike of Pikes Peak.  So what’s the big deal?

I’ll call it the mental aspect of endurance.  It’s a little more in my head now.  I’m thinking too much about it.  It’s shaping up as more of a mental challenge than a physical one.

It’s going to be a long day – probably 12 or 13 hours of hiking.  I’m going to start before sunrise.  I’m certain to have blisters by the end of the day (even though I plan to switch between shoes and boots near treeline).

I’m not going up the much shorter Crags route on the west side of the mountain.  I’m not splitting the hike in half with by staying overnight at Barr Camp.  I’m not hiking up, then catching a ride back down in a car or on the train.

Instead, I’m heading up as fast as I can, buying a Gatorade in the summit house, seeing how full the parking lot is, then hauling all the way back down and out (the hike down’s different, but it isn’t easy).  I’m already wondering how tired and sore I might be as I head in to work on Monday morning.

To feel a little more prepared, I put on my boots and a full pack and did The Incline this morning.  And to think … last time, I simply decided on a Thursday afternoon that Saturday’s weather looked good, so I should head up that mountain in my back yard.

All kinds of Pikes Peak photos from my Flickr photo stream are here.

From Anonymous Appreciation to Personal Invitation

A quick follow up to the last post about a vibrant painting by a local artist hanging at the Pioneers Museum in downtown Colorado Springs.

I brought the post to the attention of the artist, Tracy Felix.  We had a short email exchange in which he shared a few additional images and gave me insight into his creative and production processes.

In some cases he works from his own photographs, as well as postcards and photos from others.  In other cases he works strictly from imagination, informed by decades of hiking, skiing and exploring our area.

Here is an example of the former, a new painting from a recent trip to Durango:

Grenadier, range, mountains, Colorado, Molas Lake, Durango, Ouray, peaks, lake, nature, painting, fine art, Tracy Felix, Denver

The Grenadier Range from Molas Lake by Tracy Felix

Here’s an example of the latter, an imagined scene generated from the general idea or concept of “northern New Mexico”:

img class=”size-large wp-image-605″ title=”Along the Rio Grande” src=”https://ethanbeute.com/wp-content/uploads/2010/06/Along-the-Rio-Grande_-Tracy-Felix-748×1024.jpg” alt=”Rio Grande, Colorado, New Mexico, fine art, painting, Tracy Felix, Denver, art, artist” width=”534″ height=”725″ />

Along the Rio Grande by Tracy Felix

The point of this post: rather than simply enjoying a painting at a local treasure of a museum, I decided to shoot a couple photos and write a brief piece about it.  From that limited initiative, I received more insight into the person and the process behind the images, images of three additional paintings not in the online gallery, information about a current showing of work by him and his wife, Sushe, and a standing, informal invitation to the Felix’s home and studio.  I think that’s wonderful.

Here’s the third image I received; it’s inspired by the La Plata mountains in the San Juan range near Durango:

La Platas, La Plata mountains, Colorado, painting, Durango, art, fine art, artist, Tracy Felix, Denver

La Platas by Tracy Felix

Here’s a Denver Post feature from July 2008 about Tracy and Sushe Felix.

Local History, Local Artist and Landscape Art

Three things I truly enjoy intersect just 2 miles from our home: local history, a local artist and landscape art.

Physically, they intersect at Tejon and Vermijo in downtown Colorado Springs.

The Pioneers Museum is dedicated to local history, including the settlement and development of the Colorado Springs area.  Its home is the former El Paso County Courthouse; one of the exhibits is a fully restored courtroom.  It used to be open from 10am-5pm every day of the week, but the city budget is an absolute wreck.  It’s always free to the public and absolutely worth a visit by locals and visitors alike.

The Pioneers Museum, downtown Colorado Springs, Colorado, history museum, local history

The Pioneers Museum in downtown Colorado Springs is housed in the former El Paso County Courthouse

One of my favorite exhibits is “Looming Large: The Artistic Legacy of Pikes Peak,” which was developed during the 2006 bicentennial of Zebulon Montgomery Pike’s expedition up the southwestern slopes of America’s Mountain.  It’s a room filled with various artistic renderings of the mountain that now bears Pike’s name.  One painting truly stands out from the rest and earns prominent placement.

Pioneers Museum, entrance to Looming Large exhibit

Entrance to the Looming Large exhibit at the Pioneers Museum

The oil painting is “Pikes Peak 2004” by Tracy Felix, who grew up and worked as an artist in Colorado Springs.  Within the past few years, he and his wife, artist Sushe Felix, moved to Denver.

Pikes Peak 2004 by Tracy Felix, Colorado Springs, painting, artist, oil painting

Pikes Peak 2004 by Tracy Felix

Perhaps for my love of mountains, wilderness and trails, I’ve always favored landscape photography and landscape painting over most other artistic forms.  Fold in the fact that the artist is local and the subject is Colorado mountains and I’m all in.

The style here is obviously bright, playful and inviting.  Though this treatment of Pikes Peak is relatively straightforward, much of his other work is a bit more abstract.

His work hangs at the Denver Art Museum, the Colorado Springs Fine Arts Center and the Sangre de Cristo Arts & Conference Center in Pueblo, among other places.

Here’s a sampling of Felix’s treatment of other Colorado landmarks.

Tracy Felix, painting, fine art, Black Canyon of the Gunnison, Mount Yale, Maroon Bells

Black Canyon of the Gunnison, Mount Yale, Maroon Bells

Tracy Felix, painting, oil painting, fine art, Sangres, Sangre de Cristo, mountain range, Longs Peak

Longs Peak, Sangre de Cristo Mountains

With this post, I simply wanted to draw your attention to a few things I enjoy that happen to intersect.

Related Links:

Pioneers Museum: home

Pioneers Museum: about

Pioneers Museum: exhibits

Pioneers Museum: photos from my Flickr stream

Tracy Felix: artist statement

Tracy Felix: gallery

Enjoy!

Shallow Analysis: PETA’s Circus Protest

In a way, this functions as a follow-up to the previous post about a marketing tactic employed by the Zeitgeist Movement of Colorado.  As in that case, the ideas marketed here lie outside the mainstream.  Unlike the Zeitgeist folks, the organization at work here is extremely well funded and celebrity fronted.

We experienced today in Colorado Springs the same thing many have experienced in cities across the country – a protest of the cruel “entertainment” that is Ringling Brothers and Barnum & Bailey Circus, which happens to be coming to town.

Protesting is PETA, People for the Ethical Treatment of Animals.  As the elephant’s sign reads: Circuses are No Fun for Animals.  The message is directed toward elementary school children and delivered on public property.

Here’s a shallow analysis.

PETA Circus Protest Colorado Springs Elephant Cruel Cruelty

PETA Circus Protest - Colorado Springs - Elephant

How it’s executed (approximately):

  • PETA gets Ringling Brothers tour schedule
  • PETA precedes the circus, city to city
  • PETA distributes material outside a local elementary school in each city
  • PETA alerts the local media in advance of protest
  • Local media swarms, story’s a good “talker” that elicits strong opinions
  • Conversation ensues

This execution is nicely focused.  They’re timely and topical with the elephant costume, signs, coloring books and more.  Preceding the circus with this message should influence the buying decision.

Commercials to get people to the circus have been running heavily on television here for at least a week; the circus is due in town in a week and a half.  As school’s wrapping up, kids may be talking about the circus.  Parents are probably in active consideration of whether or not to cough up the $100+ it costs to take a family of four to the circus.

There’s no question that this is effective in drawing attention to PETA and to the circus.  What is in question is what kind of attention does it draw – what kind of conversation does it start?

PETA Circus Protest Colorado Springs Cruel Cruelty

PETA Circus Protest - Colorado Springs

This strikes me as a case in which the discussion is limited to the organization itself, rather than to the specific topic and its related issues.  Alignments are basic:

  • People who believe animals are grossly mistreated and need a human voice for justice and protection
  • People who think animal rights people are moronic nut jobs and are perfectly satisfied with the status quo
  • People who take issue with directing the message toward young children outside their schools

Meanwhile, just how humane or horrific is the treatment of animals within the circus?  What are the consequences of training of large, wild beasts to perform unnatural tasks for our amusement?  What amount of money or entertainment value justifies any form of mistreatment?  The discussion never gets this deep.

Instead, it’s more basically about PETA – simply a love ’em or hate ’em alignment, plus a faction against their tactics in general.  It’s provocative.  It’s a continuation and refinement of their guerilla tactics.

This is not necessarily a bad outcome for PETA, especially if you subscribe to the “there’s no such thing as bad publicity” philosophy.  Their name passed thousands of lips yesterday.  Because of the timely and topical nature of their message, some share of those people whose attention they got may have “converted” – evaluating the “circus is cruel” message and tending to accept or agree.

In conclusion and a bit from left field:  the difference between zealotry and simply spreading the word is defined by whether or not we agree with the message.

Link: local story at NewsFirst5.com with a couple dozen comments

Positive Outcome from Dubious Marketing Ploy

A note on a dubious markeing ploy …

I’m “friends” with Colorado Governor Bill Ritter on Facebook.  I’m not sure how or when this happened, but, as a positive consequence, I get some useful info about goings-on at the state level.  Because of this “relationship,” I was treated to this in my Facebook News Feed yesterday morning:

Zeitgeist Movement Colorado tags Governor Bill Ritter on Facebook

Zeitgeist Movement Colorado tags Governor Bill Ritter

Like many of his 4,868 other “friends,” I watched the video out of curiosity alone.  “We are all connected” … sounds interesting!

As it turns out, the Governor appeared nowhere in this video, which was a fascinating production – particularly the audio mix.  Among those who did appear, probably without their knowledge or permission, were Bill Nye the Science Guy, Neil deGrasse Tyson (PBS), Carl Sagan and Richard Fenynman.  The video became repetitive, running about 2:00 too long.

Obviously, the tagging of the Governor by a member of the movement was a tactic to get attention – a “spray and pray” effort to cast a message as widely as possible by whatever means available with the hope that a target will be struck.  The downside: this runs against new, targeted, permission-based marketing principles.  The lamentable upside: it actually works …  I’m writing about it right now (!?).

So what is this Zeitgeist Movement that made its way into my consciousness by way of a dubious marketing ploy?  They seem to have semi-laudable but wildly impractical goals/ideals.  They call for a “sustainable social design” built on a “resource-based economy.”  Those are nice-sounding phrases.  It’s all based on the life’s work of industrial designer and social engineer Jaques Fresco.

I say it’s “laudable” because their critique of the status quo is harsh, highlighting the ugliest things about the way we live, work and “prosper.”  Also laudable are emphases on: world as singular organism, humans as singlular family, dependence upon healthy environment, natural processes, and the scientific method.  Per their intro video, they endorse the “humane application of science and technology to social design and decision making.”

I judge it “impractical” because it seeks a complete and fundamental redesign of all the world’s social and economic structures; its coming to pass seems wholly impossible given human nature.

In hindsight, I’m glad my Facebook News Feed was “hijacked” by a fallacious video tag.

They’re “out there.”  They’re disconnected in nearly every way from mainstream thought.  They’re imagining an experience, even existence, here on earth completely unlike what it is today.  I expect that this separation from mainstream is a primary reason they resort to such tactics.

A positive outcome: they reminded me of something valuable.  We owe it to ourselves to consider every now and again how our fellow human beings are thinking and dreaming differently.

I never endorse such tactics, but I always endorse thinking, dreaming and listening.

Here’s their US homepage:  Zeitgeist Movement

Here’s a video introduction:  Zeitgeist Movement

Giving Them Away for Free

I produce a Flickr photo stream.  I periodically go through it to delete photos at which no one has looked.  Right now, there are about 2,200 photos up.  I set up a little widget here in the left column that randomly grabs and displays a photo from the stream.

Over the couple/few years I’ve been putting up photos, I’ve received eight or ten requests from proper publishers seeking permission to use one or more of these photos.  Several of them are web-based guides.  One was a publisher of lake, river and stream maps.  One was a publisher of books and videos about weird and interesting things across this great nation.

I’d forgotten about that last one … until yesterday.  I received a box in the mail; I could tell it contained a book by its size, dimensions and weight.  I figured it was a book about Google Analytics that I ordered a few days ago.  Instead, it was Weird Colorado!

Weird Colorado, Weird U.S., Weird US, Mark Sceurman, Mark Moran, Charmaine Ortega Getz

Weird Colorado

My brand new, hardcover copy is personally inscribed with thanks and appreciation from “my pals,” Mark Sceurman and Mark Moran.

The Weird U.S. series has been around for years.  In addition to national and state-focused books, they’ve produced videos that aired on the History Channel.

Weird Colorado is written by Charmaine Ortega Getz.  At some point, they scoured the web for photos for inclusion in the book.  They came across some of mine.

They emailed to request permission to use my photos from Picketwire Canyonlands and Florissant Fossil Beds National Monument.  These areas were included for ancient rock art, sub-oceanic history, dinosaur footprints and fossilized plants, animals and insects.  They ended up using two of each (pages 46, 47 and 59).

These four photos are not among my most “interesting” according to Flickr; I’m glad they were useful to someone.  Here’s one of them – detail of a fossilized tree trunk at Florrisant Fossil Beds NM:

Fossilized Wood at Florissant Fossil Beds National Monument

Fossilized Wood at Florissant Fossil Beds National Monument

Though every photo in my Flickr stream is copyrighted, they’re free for the taking from a technology standpoint.  All sizes of every photo are available, from thumbnail through original size (approx 3,500 x 2,600 pixels).

I suppose I could try to track people down and attempt to recoup my share of any commercial gains.  Instead, I’m giving them away for free.

I tag every photo extensively to help people find them.  It’s fascinating to watch analytics on photo views and traffic sources.

Here are a few reasons why:

  • It’s produced 100% from personal passion
  • It does me no good to hoard them, hide them or lock them down
  • For those who use them, I expect they’ll remember where they got them and perhaps link back or let me know
  • Legit publishers will request permission and provide appropriate photo credit, acknowledgment and linking (and sometimes even the finished product!)

Related hopes include:

  • I hope people will enjoy some of the images as much as I do
  • I hope people will connect through imagery with the beautiful and interesting things in the world around them
  • I hope people will be inspired to go outside and maybe shoot some photos

My photo stream is generally outdoors-oriented.  Photos go up in specific groups or sets based on a trip, an outing or a shoot.  They’re always dated and tagged.  They’re up in reverse chronological order.  (Related music note: I strongly favor albums over singles).

I’d love for you to use an image as a desktop background or any other application you see fit.  Please share with me if and how you use an image.

Here are some of my most viewed and most commented photos: 

http://www.flickriver.com/photos/ethanbeute/popular-interesting/

Here is Weird U.S. at Wikipedia:

http://en.wikipedia.org/wiki/Weird_U.S.

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