ethanbeute

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Tag: Career

So You’re Thinking about Quitting Your Job …

I am going to change. I am going to leave everything behind. I’m going to burn my bridges. I’m going to follow my heart from now on, even if I have a price to pay. Of course, I was supported by my family and my wife. She said ‘yes, let’s do it, even if everybody tells us that nobody can make a living out of writing. But let’s take this risk, because otherwise, you can have everything, but you will be unhappy.'” – best-selling author Paulo Coelho to Krista Tippett, On Being

If you’ve ever thought about quitting your job, know that you’re not alone.

And if you’ve ever been serious about quitting your job but held on to it anyway, know that a career transition coach can help!

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Thoughts on Marketing from Inside Local Television Stations

I just ended a 14 year run in local television marketing and promotion that took me from Grand Rapids to Chicago back to Grand Rapids to Colorado Springs.  My short description of the work: running an in-house agency to build brands, drive viewership, and increase our overall standing with all stakeholders.  So, my side was the business-to-consumer marketing that results in business-to-business selling of audiences (basic content around advertising model).

I’ve greatly enjoyed the first decade and a half of my career.  I’ve worked for some great companies and done excellent work with wonderful people.

Here are some thoughts and observations from my experience in the local media industry.  They’re focused primarily on traditional television broadcasting, rather than multi-platform content distribution and marketing.

These thoughts and observations are simplified and bullet-pointed.  I’m happy to elaborate upon or talk through any of this in more detail.  Use the Connect with Ethan page to find me – or just leave a comment on this post.

TV set, television set, t.v., tee vee, boob toob, boob tube

What a TV looked like when my career began. (Image from Photobucket user alex54j )

 

Working in Local TV Marketing and Promotion is Fun

  • It’s a nice combination of creativity and strategy.
  • You get to work extensively with words and ideas.
  • You get to create and manipulate images, both still and moving.
  • You get to work with music, sound effects, and natural/ambient sound.
  • Promos are always more exciting than the news packages – you get to pack all the best video and sound into :30!

The Work Itself is There, Then Gone

  • This is a basic function of linear broadcasting.
  • The display of your work is immediately fleeting and the work itself is highly perishable.
  • You get plenty of immediate gratification; what you just made can be put on TV within minutes.

Marketing to Anonymous Masses Provides Limited Satisfaction

  • The ability to track and measure, to connect directly efforts to results, is weak.  Research budgets are limited.  Nielsen’s measurements of viewing behavior are (insert adjective with negative connotation here).
  • In short, it’s more art than science.
  • Very few people like advertising.  It’s an interruption of what they’ve come to see or experience.
  • Nearly everyone wants and expects content and marketing to be increasingly personalized and customized (rightfully).
  • Television broadcasting is linear and monolithic, not personalized or customized.
  • It’s impossible to be consistently relevant, and therefore satisfying, to a mass of people.
  • That’s because they’re not a monolith; they are individuals who happen to be consuming the same media at the same time.
  • Tools like Facebook have taken phone call and email feedback to a new level that approaches direct relationships.  Even those individuals, though, tend to be treated as a mass.

Local News is Very Static and Homogenous

  • Every station has pretty much the same stories as one another and the same kinds of stories every night.
  • Every newscast provides pretty much the same experience it did a decade ago … but shinier.  It’s predictable.
  • Locally, this is in part due to stations all watching each other.
  • Nationally, this is in part due to all stations being consulted by the same handful of consultants.
  • Overall, this is because “news” is defined rigidly by the journalistic institution.
  • This is why ubiquitous, generic “area man” headlines from The Onion, America’s Finest News Source, work so well.
  • This is why we all immediately recognize the visual and verbal patterns in the videos that close this post.
  • The formula from which newscasts are made seems to work well enough that there’s no compelling reason to make anything more than minor tweaks and conservative decisions.  Related: newspapers have only just found their savior and his ideas don’t seem especially radical.

Financially, Local TV Broadcasting is Challenged

  • As with most businesses, costs are constantly increasing.
  • This effect is mitigated slightly by technology and automation.  The hubbing of core operations, for example, is a fundamental operating strategy for Lin Media (22 broadcast signals originating from just 2 master control centers; 100% of traffic operations run from just 1 location (see 2010 annual report, page 4).
  • Revenue is flat/declining and dominated by TV revenue.  Though it varies by station and company, I’d guess that 90-95% of revenue is still generated by television ad sales.
  • Profit margins, naturally, are tighter than ever.  A broadcast license was once a license to print money; stations enjoyed profit margins above 50%.  Though it varies by station and company, I’d guess that they’re more in the 15-20% range in a good year.
  • For a stronger future, some local news operations will have to be shut down (see above – Static and Homogenous).  This is a natural result of competition.
  • As fragmented as the media landscape is (that fragmentation fundamentally threatening the TV business), television is still the only place to find mass.  This is why network prime time shows command higher ad rates, despite smaller audiences.
  • Among the younger set, it’s cool to hate TV and its advertising.  However, Apple loves it!  Go figure.
  • Television still enjoys an amazing windfall from political advertising.

Local Television Advertising’s Effective, But …

  • Is it cost effective?  By migrating dollars into other channels, the large-scale, sophisticated television advertisers say no.
  • I just finished Joseph Jaffe’s Life after the 30 Second Spot, published in 2005.  At the time, DVRs were the threat to effectiveness.  Forms of digital capture and distribution have increased dramatically in the past 6 years.
  • Digital pureplay companies offer relatively inexpensive marketing and advertising options … and they’re 100% trackable.
  • With inexpensive tools to create and publish yourself, “every company is a media company.”  There’s less need to pay for exposure.
  • Some traditional TV advertisers have flipped the situation upside down, selling advertising themselves.

Local Television Stations Are Important

  • Local television stations have incredibly strong brands.  They’re local instituions.
  • They inform, prepare, and connect people; they provide a sense of local identity and community.
  • People take your calls when you tell them you’re calling from a local TV station.
  • The role and responsibility of the best local news and weather teams will continue to be important, no matter how distribution changes.  The challenge there is to stay relevant day-to-day, rather than simply being a go-to place in times of crisis.
  • High definition television signals are free for the taking – and they’re the cleanest form of television signal.

In Summary

I’m grateful for all the opportunities this industry has presented me and the dozens of excellent humans who helped me along the way.  I hope for the best for the individuals who make the industry.

As you might expect, I’ve got many more thoughts, feelings, and ideas.  I’m happy to have a threaded comment conversation, a real conversation, or an email exchange about any of this.

My Local Television Employers

Related Posts at ethanbeute.com

Upside Down: Traditional Advertising Relationships

Good News: You Get to Decide What’s News!

Broadcast Television: In Praise of a Relic

Our Nation’s Common Medium: Why Just One?

 

Bonus Videos
Both employ coarse language. The first is more slowly paced. The second is more direct and more coarse. Both employ the immediately recognizable patterns to which I referred earlier in this post.

 

 

 

Like Father, Like Son: Hughes

The recent passing of John Huges brought an outpouring of memories and appreciation from all kinds of people, all over the world, on all the social platforms.  A wildly-celebrated American filmmaker, Hughes directed many 80’s classics, including this amazing run:

Sixteen Candles (1984), The Breakfast Club (1985), Weird Science (1986), Ferris Bueller’s Day Off (1987), Planes, Trains and Automobiles (1987)

His credits as writer and producer are even more impressive.  His greatest commercial success, Home Alone, has become a holiday classic.  Full career details can be reviewed here on his IMDB page.

Born John Wilden Hughes, Jr, in Lansing, Michigan, he built his career and filmed extensively in Chicago, Illinois.  His films raised a mirror to 80’s teen culture and employed music quite rightly and very smartly.  It’s no coincidence that his son, John Hughes III, is a wonderfully creative musician living, working, and running a record label in Chicago.

Father and Son: Hughes

From Carl Sandburg’s “City of the Big Shoulders” comes Hefty Records, created and run by John Hughes III.  Specializing in electronic and experimental music, the label’s current concept of self is “Future Roots Music.”  The concept’s best exemplified in the album “We All Have a Plan” by Slicker (Hughes’ recording name).  Think: the intersection of pop, dub, jazz, hip hop and electronic.

I really love that album, except for – somewhat surprisingly – the first single.  I own many Hefty releases, including those from Telefon Tel Aviv, Solo Andata, L’Altra, Phil Ranelin, and, of course, Slicker.  I’ve seen many Hefty performances, most memorably series of sets at a 2001 summer solstice party at the Museum of Contemporary Art in Chicago.  I greatly admired Hefty’s reissuing and re-mixing of the work of Detroit trombonist Phil Ranelin, introducing it to new audiences in new ways.

The point of the post: to recognize and celebrate the work of both men, father and son, pursuing personal passions to the benefit of us all.

A couple links (just click the description):

A rare John Huges interview in which he discusses “Reach the Rock,” which incorporates Chicago, his son, music, and indie filmmaking.

The Chicagoist interviews John Hughes III on the 10th anniversary of Hefty Records.

UP NEXT: an interesting “Like Son, Don’t Like Father” post about a musician and a crafty bastard, respectively.

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