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Category: Media (Page 8 of 8)

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The Reconstruction Begins: Tiger Woods & Nike

I’m as tired of the Tiger Woods story as you are.  Really.

However, I’ve seen a ton of nonsense about the first Tiger Woods ad to appear since the revelation of his extensive sexual indiscretions.

Two main categories of nonsense:

  • The ad is an expression of greed by Tiger Woods and Nike
  • The ad is a personal message from Tiger Woods himself

First: of course it’s greed!  The primary reason any athlete signs an endorsement deal and the primary reason any company extends one is, not surprisingly, profit motive on mutually acceptable terms.  The athlete provides associations the brand, product or company wants in order to increase sales.  The brand, product or company provides the athlete money in exchange.  It’s really that simple, so I won’t go any further with this ridiculously easy criticism of the ad and its existence.

Second: an agency (Wieden+Kenney) carefully created this message on behalf of Nike and Tiger Woods.  It’s not a personal message to you from Tiger Woods; do not accept it as such, narcissist.  It’s not a public acknowledgment of indiscretion by Tiger Woods – he’s provided one (sadly, by force).  It’s not a public apology by Tiger Woods – he’s already provided this, too.

So what is it?  It’s polarizing.  It’s talked-about.  It’s the beginning of the reconstruction of Tiger Woods’ image by a brand that stuck with him through the debacle.

Most of the negative remarks are the rightful result of Tiger-fatigue, so nonsense gets a pass.

Here’s the ad:

Here’s a transcription:  “Tiger … I am more prone to be inquisitive … to promote discussion.  I want to find out what your thinking was.  I want to find out what your feelings are.  And did you learn anything.”

Though it would have been the safest option, the absence of a Tiger Woods ad altogether during The Masters would have been quite conspicuous.

Since Nike decided instead to be present, their agency was presented a serious creative challenge.  Nike needs to turn back on as soon as possible the Tiger Woods cash machine they’ve built over the past decade or so.  The challenge: where and how does the reconstruction of the TW personal and brand images begin!?

A few thoughts about this execution:

  • Took the situation head on (did not gloss over it, ignore it or jump past it)
  • Visually simple and clean (no amazing shots, cheering crowds, triumphant victories)
  • Audibly simple and clean (no music, a couple bird chirps, dad’s voice)
  • Dad-as-conscience device works (no one wants to hear from Tiger or generic voiceguy)
  • Message is vague, curious and sensitive (no bold statements or declarations)
  • White logos over black vest and cap absolutely jump off (clearly present with being in your face)
  • All things considered, an above-average starting point (where would you have started!?)

I personally abhor Woods’ selfish and unfaithful behavior.  Though I know nothing about the science behind it, “sexual addiction” strikes me as a weak excuse for weak-minded, shameful behavior.  Climbing down off my moral high horse, as too few are wont to do, I accept this commercial message as the start of the reconstruction.

The commercial doesn’t “speak” to me.  It does not feel to me significant, impressive or provocative in any way.  It does feel a bit human, which is a good start.

Bottom line: Tiger Woods is a living case study that will eventually be published in formal marketing texts.  I don’t know how it will read or how I will feel about this commercial a year or two from now, but today it feels OK.  Nike’s got to fire back up that cash machine slowly and carefully.

Related: I’m quite curious about the original context of the recording, as Earl Woods passed away in 2006.

Also related: considering the financial stakes, “Brand Tiger Woods” moved far too slowly as the PR crisis rolled out and built up.  They had no control over public perception as more and more women emerged with allegations.  The online, print and television tabloids went burned wildly with the story.  To control the flames, it’s always best to be first and to be honest and to in times of crisis.

Our Nation’s Common Medium: Why Just One?

In advance of a significant broadband announcement ($25B in new spending) by the Federal Communications Commission, a former FCC Chairman, Reed Hundt, delivered a speech at Columbia Business School that he titled “The End of Broadcasting.”

I read about the speech at TVNewsCheck.com and began to watch it on Columbia’s website.  It seems Columbia’s site or server can’t support the traffic, so the speech is basically unwatchable.  This post, then, is informed by the first 20 minutes of the speech I endured on first go and Harry A. Jessell‘s analysis of it.  I expect to edit this post once I’m able to view the entire speech.

In this speech, Hundt argues that every nation needs a “common medium” with the following characteristics:

  • Reaches 100% of citizens
  • Is easy and customary for 100% of citizens to use
  • Is culturally accessible (in common languages)
  • Is open to participation
  • Is good for business
  • Is full of “news” and is sufficiently “local” in its manifestation
  • Is owned privately, not publicly
  • Provides to the government access to the citizens

According to Hundt, the FCC began the policy of favoring the internet over broadcasting as the nation’s one common medium as far back as the period 1994-1997.  Interestingly, Hundt described this as a “confession or admission,” from which I infer a heretofore duplicitous stance.

A couple examples of broadcasting being disfavored by Hundt’s FCC:

  • “This is a little naughty: We delayed the transition to HDTV and fought a big battle against the whole idea”  (Ethan: why!?  HDTV is gorgeous and beloved)
  • It was “simply astonishing” to Hundt that the government continued to promote broadcasting by subsidizing converter boxes for consumers in the analog-to-digital transition – “Those people would have been much better off getting a voucher for broadband internet subscriptions”  (Ethan: completely ludicrous, more below)

I consider this visionary policy.  I don’t know if you were using the internet between 1994 and 1997, but to call the experience “lacking” would be kin to calling water “wet.”  For a government agency to recognize the value and benefit of the internet at that point is praiseworthy.

I absolutely accept that the internet has infinitely more potential as a valuable information medium in the long term than broadcasting.  Per Hundt’s criteria above, the internet trumps broadcasting in openness to participation, facilitation of commerce and pin-point localism.

What I reject outright is the premise that a nation needs just one common medium.  In Jessell’s words, “what would you rather have, the best broadcasting system in the world or the best broadband system.  My answer: both.”  Agreed!  As I’ll continue to argue, broadcasting and broadband are unique and complementary.

Also, support of one medium (broadband) should not require the suppression of the other (broadcasting). However, Hundt suggests a nation is going to choose just one “because government in any country wants a way to reach everybody.  It will encourage it and promote it up to some level.”  I’ll ignore the Orwellian overtones and suggest that internet and broadcasting should be understood, appreciated and treated as unique and complementary media.  Two recent illustrations and an anecdote:

I also reject that the internet is superior for access and ease of use.  Let’s start with Hundt’s converter box line to tear this one down.  The FCC mandated that television stations kill off analog broadcasting in favor of digital.  The transition was extremely costly for broadcasters, though it cleared real estate in the spectrum that the government auctioned off for nearly 20 billions of dollars and dramatically improved the quality of broadcasters’ signals.

To aid in the transition, our federal government provided $40 vouchers upon citizen request to be used for the purchase of digital converter boxes so an old analog TV would still work in the all-digital broadcasting future (now present).  To suggest, as Hundt did, that “those people” (read: older, poorer) would be better off getting “a voucher for broadband internet subscriptions” is completely ludicrous.  In my world, $40 buys you ONE MONTH of broadband access.  In many cases $40 covered the entire cost of a converter box, which is useful indefinitely.

That’s just access.  Now, consider ease of use.  As a blog reader, you probably take for granted how easy it is to get online.  Have you spoken with someone who’s old or poor about selecting and purchasing a computer or setting up and paying for a broadband subscription?  Have you seen the line at your local library to get online?  Meanwhile, a television or radio can be cheaply purchased and simply powered on.  Whoever does so has immediate access to emergency information.

Let’s just pretend that the government’s need to access 100% of people is based in the dissemination of emergency information.  At present, clear protocols and enforceable requirements are in place for broadcasters to support these efforts (Emergency Alert System).  Should not the effective use of this system be properly credited and indefinitely employed by the agency which mandated it into being?

In conclusion:

  • I support government efforts to encourage and promote broadband access; I’m very curious to learn the details of the FCC’s imminent broadband announcement.
  • I look forward to the day that broadband internet provides 100% reach to American households at an extremely inexpensive price.
  • Internet and broadcasting are unique and complementary media.
  • In the near to medium term, broadcasting is less expensive and easier to use for more Americans.
  • This is an extremely complex set of ideas.  Among the related topics that could be explored:  mobile TV by way of traditional broadcasting and mainstream media as the foundation for a significant share of searches and social exchanges online.
  • Because nothing even close to a dollar-for-dollar, online-to-traditional model to support journalism exists, a threat to broadcasting remains a threat to journalism.  Call me old-fashioned, but I consider journalism a necessary precursor to some semblance of democracy.
  • Agencies of our government are busy determining your future.  To the degree you’re uninformed or disengaged, they’re doing it without you.  If you don’t care about broadcasting and broadband, think about those things that do matter to you.

Worth noting:

  • We do not pay for television at our house.  We use an antenna and a 32″ HDTV to enjoy the cleanest, highest-quality pictures and sound available from several local broadcasters.
  • We pay $37/month for moderate-quality internet access (Qwest DSL).

Interesting fact:

Related links:

Ceremony: A (De/Re) Construction

A few weeks ago, I was wandering around YouTube and came across a fantastic cover of a fantastic song.

A responsible approach to a cover involves a deconstruction of the song to identify its elements and its essence, to truly understand it.  The cover itself is its reconstruction in a new form reflecting the covering artist’s perception of its elements and essence.

In this process, a song can be liberated from the conceptual bounds of the original writing and performance, including its original time and place.  New life and style are invested into and hung upon the song-as-framework.

Back to the story:  the song is “Ceremony,” written by Joy Division but perhaps more associated with New Order.  It’s really the best New Order ever sounded – clean, post-punk, four piece, no keys. Radiohead absolutely pulls out all the strengths of the songs with their extremely respectful treatment.

If you’re not familiar with the relationship between Joy Division and New Order, a quick summary: Joy Division’s 23-year-old front man Ian Curtis commits suicide on the eve of the rising band’s first US tour.  All original members, including Curtis, agreed to rename the band if any member ever left, so the three remaining members carry on as “New Order.”  More history here.

The Radiohead cover inspired this post, which includes the cover, a live performance from 1981, a Joy Division recording (extremely low vocals), and the song set to film shot on Super 8mm 20 years ago.

 

First, the cover:

 

Second, a live performance from the Ukranian National Home in New York City from November 1981 (their 11th US show, a year and a half after Curtis’ suicide):

 

Third, a Joy Division recording of the song set to historical photos:

 

Finally, a fine tribute from Super 8mm film – beautiful color and architecture:

 

In general, I don’t much care about a song’s lyrics.  In addition, I find most vocals mixed too far in front on most non-instrumental recordings.  Regardless, here are the lyrics written by Ian Curtis:

This is why events unnerve me,
Define it all, a different story,
Notice whom for wheels are turning,
Turn again and turn towards this time,
All she ask’s the strength to hold me,
Then again the same old story,
Word will travel, oh so quickly,
Travel first and lean towards this time.

Oh, I’ll break them down, no mercy shown,
Heaven knows, it’s got to be this time,
What she heard, these things she said,
The times she cried,
Too frail to wake this time.

I break them down, no mercy shown,
Heaven knows, it’s got to be this time,
Avenues all lined with trees,
Picture me and then you start watching,
Watching forever, forever,
Watching love grow, forever,
Letting me know, forever.

Thank you, internet, for connecting me with all this material and allowing me to share it so easily.

Playing with Our New Flip Ultra HD

Who knew!?  You can have a high-definition video camera with 2 hours of storage that runs off rechargeable AA batteries delivered to your home in two days –  complete with an additional carrying sleeve – for well under $200.  Really.

On a whim and to understand the product, I ordered a Flip UltraHD video camera with a padded, draw-string Case Logic sleeve from Amazon with 2-day shipping.  The total cost was something like $172, including the cost of tw0-day shipping (overnight adds another $10-12).

Within 5 minutes of opening the box, my 6-year-old was using it.  See here:

Here’s a clip of the exterior and interior of a charming, little store in Old Colorado City that strictly sells honey-related products:

Here’s a pan of Crystal Reservoir and Pikes Peak, just off the Pikes Peak Highway:

None of these videos has been treated or sweetened in any way – simply pulled from the camera by USB and posted straight to YouTube.  The video and audio could certainly be improved with a little effort.  You can also grab still photo frames from the video with the software that comes loaded on the camera.

Bottom line: absolutely simple to use, reasonably priced, hand-held.  Turn it on, hit the big, red button to record, hit it again to stop recording.  There are also play and delete buttons and a flip-out USB arm.  That’s it.  It’s not going to be confused with a proper video camera, as there are no settings whatsoever.  For basic and spontaneous video – insanely easy to capture and share – it can’t be beat.

Here it is plugged into a USB port on the side of my laptop:

Flip Ultra HD - Plugged into Laptop by USB

Prognostication: for a slightly more sophisticated user, Apple will probably fold a nicer HD video camera into the iTouch or iPhone.  These devices will make sharing HD video easier (wirelessly, directly from the device), but it will never be so simple to operate as the Flip.

Related: Cisco, which bought Flip, has been blogging about how the Flip belongs in every PR toolkit.

See a half dozen more videos from our first weekend with the Flip Ultra HD at:  http://www.youtube.com/ethanbeute

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